Client Paper Essay Example for Free

Client Paper Essay Human service professionals, or helpers, will likely work with many different clients, each with their own set of problems. These problems can range from physical abuse and neglect, aging issues including death and dying, and a number of other issues concerning the basic needs of life. Problems can also encompass the many different situations people find themselves in either as a result of life choices or out of no fault of their own. These problems may include homelessness, combat veteran issues, and mental illness. Whatever the problem or problems are, it is the responsibility of the helper to use a wide range of skills to assess client needs, create a treatment plan, and offer resources and emotional support to the client as they accomplish the goals included in the treatment plan. These skills include communication, empathy, compassion, patience, analytical skills, and teamwork. A range of problems faces human services clients â€Å"Problems for clients are rarely single issues, and the human service professional should approach each client with the expectation of more than one problem.† (Woodside McClam, 2011, p. 131) Every problem that a client presents with cannot be predicted. In fact, client problems encompass a wide range of needs and circumstances. For example, a client who is struggling with domestic violence may also have a need for mental health support. A client with mental health issues may also be experiencing a lack of food, clothing or shelter. The problems facing clients are very broad and it is helpful to better understand them. Problems facing children and families include physical and sexual abuse, poverty, lack of a healthy home, or little education. Children are especially vulnerable as they cannot provide for themselves. Although â€Å"[t]he best place to serve kids is in their home and with a family,† there may be a necessity for placement in foster care or, in some ca ses, adoption (Moffat, 2011, p. 5). The elderly also face  unique problems such as lack of mobility, losing their independence, and end of life issues. When the elderly can no longer care for themselves, finding in-home care or placement in assisted living or nursing home facilities becomes the focus. In addition, the elderly may struggle with some of the basic needs of life such as food, shelter and clothing. Immigrants, veterans, and people with disabilities face other problems in the human service field. Immigrants struggle with adapting to a new culture in a new country as well as learning a new language. Immigrants may have problems with finding employment, housing, and legal help, as well. Veterans need assistance with adjusting to civilian life including adjusting their skill sets to match employment opportunities. Combat veterans especially struggle with physical and mental disabilities and are in need of appropriate services for rehabilitation. Disabled people face challenges in personal care as well as employment, including issues with rehabilitation and adapting to their disabilities. The need for residential or group care facilities may also be at issue for the disabled community. Problems with substance abuse and addiction, mental illness, and clients with criminal records also exist. Many of these problems co-exist in a client’s life and need to be addressed as a whole. â€Å". . . the client is an individual comprised of psychological, social, economic, educational, vocational, and spiritual dimensions and possibly will have needs in many of those areas.† (Woodside McClam, 2011, p. 132) Specific helping skills can be used with clients Essential to the helping process is knowledge and practice of professional and interpersonal skills that help the human service professional in effectively addressing the needs of clients. These skills include communication, empathy, compassion, patience, analytical skills, and teamwork. Chief among these are interpersonal and communication skills, because more workers deal directly with a variety of people† (Moffat, 2011, p.9). The work of human service professionals centers on building relationships of trust with the client. It is the responsibility of the helper to facilitate effective communication. Listening is vital to the process. In order to fully grasp the client situation, the helper needs to observe both the verbal and nonverbal messages. Listening involves paying  attention to both words and actions as they go hand in hand in understanding the total message being given. G.E. Egan introduced the SOLER concept for responsive listening. Learning this concept can be v ery useful to the human service professional (Egan, 2010). Details of the SOLER concept are illustrated in the following table: S Face client Squarely O Adopt an Open posture L Lean toward the person E Maintain good Eye contact R Try to be relatively Relaxed In addition to the SOLER method, paying attention to vocal tone and speech rate, and verbal tracking of the client’s message will exhibit attending behavior and help the communication process (Ivey, Ivey Zalaquette, 2009). The helper can encourage the client to discuss their issues openly by not changing the subject they have chosen. Effective listening shows compassion for the client and creates an opportunity to show empathy and patience, additional skills that are essential to the success of the human service field. Clients in the human service field come from a variety of situations. Their values and belief systems vary widely as much as their problems do. In order to effectively help people, helpers need to develop acceptance and understanding of these differences. Unconditional acceptance of the client is essential to the success of treatment. Helpers need to see the situation and experience feelings from the perspective of their client. Patience is necessary for the he lping process as there are likely to be setbacks or resistance to the treatment plan. Helpers should learn to adapt their approach as the situation changes; which leads to the skill of critical thinking. â€Å"The ability to think creatively helps workers determine ways to get around hurdles that interfere with clients’ efforts to succeed† (Moffat, 2011, p.10). Throughout the helping process, a variety of changes is bound  to occur. Whether these are positive or negative changes, client and human service professional must work together to deal with them and continue to move forward with the assistance process. Using analytical and problem-solving skills, helpers can overcome the roadblocks to treatment and continuously work towards solutions. Treatment often involves networking with a number of other professionals and utilizing a variety of resources. Being able to work well as a team is another essential skill for human service professionals. Psychologists, Social Workers, Mental Health Facilitators and Counselors are all participants in the work of h uman services. Using communication, empathy, compassion, patience, analytical skills, and teamwork, the helper can effectively recognize and define the variety of client problems that exist and work with them towards accomplishing the goal of the helping process, which is to encourage responsibility and promote self-help. References Egan, G.E. (2010). The skilled Helper: A problem management and opportunity development approach to helping (9th ed.). Pacific Grove, CA: Brooks/Cole Ivey, A. E., Ivey, M. B., Zalaquett, C. P. (2009). Intentional interviewing and counseling: Facilitating client development in a multicultural society (7th ed.). Pacific Grove, CA: Brooks/Cole Moffat, C. (2011). Helping those in need: Human service workers. Occupational Outlook Quarterly, 55(3), 22-32. Woodside, M., McClam, T. (2011). An introduction to human services (7th ed.). Belmont, CA: Brooks/Cole, Cengage.

Critical Analysis Of Young Goodman Brown :: Free Essay Writer

Critical Analysis of Young Goodman Brown   Ã‚  Ã‚  Ã‚  Ã‚  Nathaniel Hawthorne’s short story of Young Goodman Brown is a reflection of the Puritan faith as well as man’s conflict between good and evil. This analysis will emphasize on the theme of Young Goodman Brown as well Hawthorne’s usage of symbolism and allegories throughout the story.   Ã‚  Ã‚  Ã‚  Ã‚  Literary critic D.M. McKeithan says that the theme of the story is sin and the terrible effect sin has on mankind. McKeithan also believes that the theme to Hawthorne’s; Young Goodman Brown, is based on the ability that evil has to persuade man to do wrong and the falseness of man’s virtues. The protagonist in the story, Brown, journeyed in the woods where he discovered that his Puritan community is not virtuous. Brown discovered that the entire community including his wife, whom is portrayed as being pure, indulges in sin and therefore Brown’s life turns dark due to his loss of hope. Literary critic Mark Van Doren states: “Young Goodman Brown'; means exactly what it says, namely that its hero left his pretty young wife one evening … to walk by himself in a primitive New England woods, the Devil’s territory,…and either to dream or actually to experience (Hawthorne will not say) the discovery that evil exist in every human heart…Brown is changed. He thinks there is no good on earth…Brown, waking from his dream, if it was a dream,…sees evil even where it is not…He had stumbled upon that “mystery of sin'; which, rightly understood, provides the only sane and cheerful view of life there is. Understand in Brown’s fashion, if darkens and sours the world, withering hope and charity, and perverting whatever is truly good until it looks like evil at its worst: like blasphemy and hypocrisy. (Van Doren 234) McKeithan says that Hawthorne is saying that in every human heart there is sin, but the story does not emphasize on sin alone, it emphasizes on the effects of sin. McKeithan states that to interpret Young Goodman Brown, the reader must make the distinction between sin and the effects of sin. Literary critic David Levin says that Brown allows the Devil’s statements about the persecution of Indians and the Quakers allows him to accept the false statements of the Devil. Therefore Brown fails to distinguish the difference between a single person and actions of people as a whole. Levin says that Hawthorne’s way of writing Young Goodman Brown gives a clear interpretation of the meaning.

Editing and Montage as a Design Tool in Architecture

In this universe we experience retrieve with that imagine the past nowadays and the hereafter. similarly topographic point and juncture, mind and infinite are non outside of each other they both fuse into each other to organize a remarkable experience, merely movie helps us see all of this more clearly than anything else, as it can in no clip takes us back in the yesteryear, likewise in to the hereafter and it besides portions the experiences of present twenty-four hours modern-day universe. movie besides allows a passageway into another universe every bit good transporting its audiences into infinites and environment that makes us experience more existent than anything we experience in our mundane life. the audiences allows themselves to be absorbed by the narrative it offers and they temporarily becomes the portion of that narrative. both architecture and film offer a delicate connexion of physiological and experiential factors. both art signifiers defines human interaction through different facets of life and gives different position for better apprehension of our universe. merely like the architecture is more than merely kick white walls and columns, likewise movie has a batch to offer than showing emended images on a clean white screen. â€Å" Architecture exists, like film, in the dimension of clip and motion. One conceives and reads a edifice in footings of sequences. To raise a edifice is to foretell and seek effects of contrast and linkage Through which one passes†¦ † Jhon novel Film and architecture are two distinguishable professions, but as we explore the both Fieldss both art signifiers have given a batch to each other and their cooperation day of the months back, of all time since the first moving image was introduced in the late eighteenth century, in which images of mundane metropolis life were shown to the audience. the cooperation of the two professions has growing together of all time since as both professions portions a immense common land the coaction has growing questionably until now non merely in the part of the advancement of different thoughts, ideas and visions belonging to different decennaries of this century likewise the usage representation techniques of film has helped to heighten the designers imaginativeness. all through their transcendency movie and architecture strengthen their connexion by larning different rational, nonliteral and practical devices from one and other in order to beef up their ain system of apprehension. â€Å"Although film and architecture are distant humanistic disciplines, dynamic and inactive severally ; their complex relationship gives life to each other. Sharing a common regard for the parallel procedures involved in bring forthing their plants, the Godheads behind these two looks have an apprehension that one will ever profit the other † ( 1 ) there are many parallel procedure in the devising and designing of the movie which is really much related with the designing and representation procedure of architecture, both professions requires the survey of both in order to take the benefit. â€Å" there are movies which can non be a success without an designer working at the background planing existent life sets. which are meant to look perfect in every facet ( doing everything about the movie world based ) † ( 2 ) peculiarly merely as the film depicts life over a large white level surface, likewise the presentation of architecture both in the design procedure and the certification uses the same procedure. each profession has looked into each other in order to derive advantage, both signifiers use similar techniques in their specific design procedure merely as architecture can non be done without paper, theoretical accounts, pulling likewise movie requires all these techniques for its devising in the design procedure. Prof.Francis Penz speaks of this confederation Architects can surely larn from the filmmaker’s ability to stand for and travel through infinites. They can besides larn from the trade and aesthetic of studio-made characteristics where film makers have brought a peculiar vision to bear upon the sets and the architecture in which the histrions move. Architects may profit to understand that their 3-dimensional representations are a ‘natural set’ for the geographic expedition of infinites in motion, which may assist to look at one’s work in a less inactive manner. Similarly, the manners of representation used by architecture pupils, as mentioned above, utilizing drawings, physical theoretical accounts and more peculiarly computing machine lifes, may represent an interesting starting point for the movie industry ( 3 ) hence many film makers take aid from designers for the flawlessness of their unrealistic edifice signifier to convey life and world in those constructions. Similarly the designers besides take benefit from the architecture of movie by acquiring inspired from the futuristic attack of movies, apart from this the techniques used in the film such as collage, redacting, semblance, illuming, motion in infinite have ever been demand of the architecture in assorted design procedure of about every edifice. likewise merely as the designers takes control of upon every facet of the edifice design a movie manager acts as important component is planing of a movie. With the release of city in the late 1920s wholly changed the position how people related movie and architecture and it made the connexion between the two Fieldss stronger than of all time before. the release of the movie brought about a new civilization in Germany of excessively big sized hoardings as it became a new manner in Germans movie industry, which was in the procedure of following American criterion in Berlin entirely adding about 20 film theatres each with a 1000 seats to its stock of 380 film theatres. Bringing images of screen into the street these tremendous advertizements narrowed the spread between movie and world and merged for an instant movie and architecture. The release of the movie besides gave rise to the argument about the hereafter of Berlin as the film reveals the modern-day captivation with a edifice type that stood at the centre of the widespread about the hereafter of German metropoliss. â€Å" Metropolis was rich in the subterraneous content that, like contraband cross the boundary lines of consciousness without being questioned † ( 4 ) The movie was a success as it addressed issues of urban hapless and societal agitation, pros and cons of the usage of technolog, generational struggles and delivering power of the faiths. cities shown and depicted overdone version of dark American streets with a construct of cardinal tower that had played such an of import portion in recent treatments and that represented the most conservative and modern-day attack to skyscraper design and town planning in Germany. it was this film which made a immense impact on urbanist motions in other movies as good where the function of monumentality and the function of skyscraper continued. Both movie and architecture have many similar elements in their devising, if we talk about architecture it is the infinites which are required to be organized in a coveted mode to accomplish a peculiar design where as in movie devising images are organized in a certain mode. in the instance of movie doing it undergo the process of three stages, the expressive portion of thenarrative, the spacial usage of mise en scene and the important portion of montage/editing. brian vocalist the manager of movie X-men, the usual suspects provinces â€Å" has stated about the formal procedure that â€Å"a movie is designed three times in production ; at first on paper, 2nd at the set and 3rd in the editing/montage room.† ( 5 ) likewise movie shaper micheal explains the 3 phase procedure of movie devising â€Å" 1. Always, under any fortunes, write and convey a book to your shoots. a book or screenplay is written program of the movie in your imaginativeness. it includes duologues as good the scenes, what the histrions do, the particular effects, the music and so on ( The narration ) 2.storyboards/ mise en scene are a great manner to visualise your shootings and set some construction in your a narrative board is series of illustration or images displayed in a sequence to give others an thought of how the scene will look 3. production and post-production ( collage ) which means you shoot movie along with the dramatis personae and crew. Post-production is the most fun portion its fundamentally consists of redacting of movie and adding effects † ( 6 ) Narrative in movie devising: – narration in the movie devising is the portion which describes the basic thought of the narrative, it describes assorted impressions that the movie brings with its ego it is one of the BASIC of the movie, narrative besides depicts the chief subject of a movie and around which the narrative of the movie is revolves. in the devising of the movie the narrative is merely an fanciful conceptual procedure and it aids to construct up the primary phases of movie design. mise en scene/story board: – It is the procedure in which the existent visual image of each scenes takes topographic point, it is the representation of the necessities of the movie such as puting up the narrative and presenting it to the audiences in this the objects with in the frame are operated through compositional criterions, the elments which can change or help the mise en scene can be the lighting, colour, back land scene, camera angles and the placement of the characters. Editing, Montage/ production: – this is the most indispensable portion in the devising of the movie as it is what completes the movie by the procedure of cutting and gluing and it forms a relationship between the shootings if we compare these techniques to architecture it can be deduced that to a certain grade all of these movie devising procedures are used in architecture every bit good, it is known that visual image or development of fanciful edifices, the work and patterns of designers can be influenced from these movie devising procedures. In add-on to illustration techniques of cinematic techniques such as narrative, semblance, motion, editing/montage, narrative board, cut, illuming have besides been used for the demands of architecture as the constituent of design. harmonizing to Gallic designer Jhon Novel says that his undertakings are really much influenced by the filmic techniques, harmonizing to him disclosures made by movie managers are as something that architects do themselves in planing their edifices. Apart from jhon novel if we by and large look at different plants of architecture it can be analyzed that both art forms uses similar techniques in their development procedure. these techni ques people use in architecture consciously but many people have been utilizing these techniques unconsciously somehow or the other.NARRATIVE AS DESIGN TOOL IN ARCHITECTUREJewsih museum by Denial LibiskindIn Jewish museum Berlin Deinal libiskind uses the art of storytelling through architectural linguistic communication and edifice signifier, the garden of expatriate, the three axes of the German-Jewish experience and the nothingnesss together these pieces form a ocular and spacial linguistic communication the Jewish museum depicts history of events to the visitant while every infinite unfolds itself and organize a narrative by picturing series of events which took topographic point in Berlin ‘s past history.EDITING/MONTAGE AS A DESIGN TOOL IN ARCHITECTURECollages of Ludwig Mies Van Der RoheMies is celebrated as a maestro builder, with his attending to detail and keep proportions taking to consummate and surprisingly poetic constructions. His axioms are quoted in schools: â₠¬Å"God is in the details† and, of class, â€Å"Less is more.† But he was every bit consummate in two dimensions, as the presently running MoMA exhibition â€Å" Cut ‘n’ Paste: From Architectural Assemblage to Collage City † brought to our attending. The exhibition showcases works from the well-known collagists Archigram, OMA, and Superstudio, but besides includes several montages by Mies—collages seldom seen in academic or retrospective treatments of the architect’s work. It is easy to state that the montages are Mies’s work at a glimpse ; their understatedness, their restrained yet powerful work of art, draws the oculus. Many of the montages are toneless, mostly made up of whitespace ; line-drawn position grids define the fields of floor and ceiling, while two, or possibly three, dividers block positions out of plate-glass Windowss. Many of these dividers are adorned with patterned marble or modernist pictures by Kandinsky or â€Å"Guernica† by Picasso. The culmination—Mies at his wildest—is a montage for a Chicago convention hall, in which the walls are a deep green marble decorated by province seals, the ceiling is a deep steel grid with an American flag draping down, and which features crowds of people cut from newspapers. Bibliography1.griger, Murray.Space in Time: Filming Architecture.199. 2.TIM BERGFELDER, SUE HARRIS, SARAH STREET.FILM ARCHITECTURE AND THE TRANSNATIONAL.s.l. : Amsterdam Uniiversiity Press. 3.penz, Frances.architecture and film.s.l. : Academy Editions, 1994. 4.kracauer, siegfried.from calgiri to hitler: a psychological history of German movie.s.l. : Princeton university imperativeness. 5.vocalist, brian. 6.micheal.eastern visible radiations productions’ short movie web log.The Three Stages of Filmmaking.[ Online ] eastern visible radiations production. [ Cited: November 29, 2013. ] http: //easternlights.wordpress.com/2008/08/11/the-three-stages-of-filmmaking/ .

Descriptive Essay About Paranoid - 1603 Words

Leaves crunched underfoot as I walked under the moonlight away from my best friend s house. I shiver as I wrap my arms around my body wishing I had brought a jacket with me. As I get closer to my house I feel something approaching me, I turn to see what’s there, but see nothing but my shadow. I lightly laugh for being silly and getting paranoid easily. As I approached my house I found that everyone has gone to sleep thinking that I was going to have a sleep over. I look around for the spare key that we hide in the plant pot. As I go to grab it, I find nothing but dirt. I assume that my mom brought it inside. I sigh in annoyance as I attempt to call my parents. When it goes straight to voicemail, I call my brother, hoping that he was†¦show more content†¦At this point I’ve already figured out that I’ve been kidnapped but by whom? Moments later I hear a quiet chuckle and a man say in a eerily happy voice â€Å"Oh, you re finally awake†. As I hear t he voice of this unknown person I can’t help to start to cry as he hears my sobs of fear he responds by saying in his sickling cheery voiceâ€Å"Tch, Tch,tch, can’t have you making so much noise someone might hear you† As I hear him say this I attempt to scream louder against the cloth around my mouth to get someone’s attention. Then all of a sudden he grabs my neck roughly and whispers harshly into my ear â€Å"If you don’t I will kill you, otherwise you just might make out alive†. He says this and my cries are quickly hushed. Then he returns to his normally â€Å"happy† voice and pats my head and says â€Å"good girl† treating me like a dog as he does this I can’t help but growl he responds by chuckling at my obviously failed attempt of acting menacing. As I await to see what he is going to do next I hear a door close and lock I let out a shaky yet relieved breath thinking that he was out of the room as I wait for what seems like hours I eventually drift off to sleep, my body and emotions need a break after the ride it’s been through. After a short rest I’m awoken by a painful strike on my back followed by a threatening voice saying â€Å"Did I say you can sleep† when I don’t respond and only let out whimpers of pain he then suddenly whips me again causing me toShow MoreRelatedSocietys Fear and Fascination with Crime Essay804 Words   |  4 Pagesdescribed as a buzzword. It could be argued that today’s society is both fearful of, and fascinated by, crime. There have been many explanations as to why society is increasingly both fearful and fascinated by the crime problem in the UK. 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